Artseg is Christina Gestra
Christina Gestra is both a freelance photographer and chartered landscape architect. She was born, brought-up and is now based in south London, but studied up at Edinburgh College of Art, and has lived, worked and studied in both The Netherlands and Italy. Her photography generally tends to veer more towards an artistic non-commercial viewpoint.
Christina is interested in super-imposing layers of images and playing with varying levels of transparencies. Much of her work is about enticing the viewer to take a closer look at the image in order to transform their understanding of it. The images are generally about cities - portraying the urban fabric in new and unexpected ways: taking a subject out of its usual context; playing with scales; highlighting the unnoticed; transforming a mundane scene into something potentially beautiful or quirky; cutting or fragmenting images; often incorporating text into the print and generally seeing things from a contemporary viewpoint.
Her work has often been described as being very ‘spatial’, and her parallel architectural background adds greater depth and understanding to the way she approaches her photography.
Her ‘multiple exposure’ personal projects began in an attempt to portray a cities’ ability to be so vibrantly hectic and yet at the same time equally isolating and austere to its inhabitants. This was summed up in the accompanying text from her first multiple exposures solo exhibition:Layers of time, places, spaces and people of the city....
”By super-imposing image layers, I aim to visually recreate the frenetic complexity and confusion of London’s urban landscapes with its austere non-communicative silent population. On the underground the individual is packed in like a sardine, crammed to the extent that he can almost feel the next person’s breath on his neck, whilst the carriage is shrouded by a sinister curtain of passive silence. London is a great place to be in and to be part of, yet often in a crowded place we can feel very alone – my images seek to represent the fine line between the allure and diversity of the city and the solitude felt when lost amidst it.”
Much of her work uses traditional manual photography methods and experimentations with various darkroom techniques producing for example various series’ of photo-grams, printing on unexpected surfaces textured glass and cotton.